Writing for The Observer, Mark Kermode described it as "like a cross between Michael Reeves's brilliant Witchfinder General and Renny Harlin's abysmal Exorcist: The Beginning, with a fair (if unintentional) sprinkling of Monty Python and the Holy Grail thrown in for good measure... It's all utter balderdash from start to finish, with everyone sporting terrible period haircuts, and characters appearing and disappearing in a manner which suggests that the editors' minds were on other things; namely, the big finale which is, sadly, a bit rubbish".[35] Salon's Andrew O'Hehir thought the film "resembles a Hollywood-by-way-of-Hungary remake of Ingmar Bergman's The Seventh Seal filtered through the B-movie aesthetic of, say, Roger Corman". O'Hehir wrote, "Season of the Witch is an unremitting schlockfest, full of blood and filth, bloated, purulent corpses, ghastly one-eyed witches and undead monks. If there were more such Corman-esque thrills and chills, and a whole bunch less ponderous Bergman references, we'd all be better off".[36]
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